

Best Band That Should Return to Town
In the early ’90s, the members of Midnite left their native St. Croix, Virgin Islands, for D.C., and soon enough the group was rocking the city’s reggae venues with marathon sets. But after six years at the top of the scene, Midnite returned to St. Croix, leaving a profound impression on the region and a void in D.C. reggae. Midnite’s fusion of traditional roots reggae and future beats provides a foundation for the almost mystical chanting of frontman Vaughn Benjamin. While the majority of his peers in the conscious Rastafari reggae movement simply aspire to burn down Babylon and destroy its wicked ways, Vaughn’s lyrics articulate a vision for the healing and cleansing. During their District residency, Midnite recorded two albums in classic low-fi style: one room, two mics, minimal takes, and few effects. It has been a few years since Midnite’s last D.C. appearance, and the city is anxiously awaiting their return—Jah knows we could use the positive vibes. —PJU
Bonus: Best local Hip Hop artist (Reader’s Poll)
My money is on the Roc. He’s about to shut it down…
Filed under: DC, DC Music, Upset The Setup | 3 Comments
Tags: Best of DC edition, Midnite Band, Pedro J. Urquilla, Washington City Paper
Theory of
I don’t think Vaughn and the boys will be leaving St. Croix for any reason other than to tour their asses off yet again… funny story, I saw their guitar man at Villa Piano in San Juan, PR a few years ago checking out a Parker Fly electric.
You shoulda told your readers to go out and buy a copy of Ras Mek Peace (Before Reverb and Without Delay). “Banking in the Pig” is indescribable.
Anyway, congrats on the 500th post, 7 years, 1st published music piece (on paper anyway)…
Yeah, I checked this out in print – good job! Thanks for reminding DC of the nights we used to have Midnite rivavls at the Lion’s Den – those were the days!